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♪♪

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Hi there, and welcome

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to our first show of the fall season.

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I'm Nancy Guppy.

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Coming to you from studio e gallery

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in Georgetown,

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where I'm standing

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in the midst

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of Written in Water,

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a solo exhibit of new paintings

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by Sarah Norsworthy.

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♪♪

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Sarah paints both in her studio

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and on site, often in natural settings

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like woods, mountains and shores,

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as well as places closer to home,

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such as parks, pathways and backyards.

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Sarah uses copious amounts of paint,

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which I love.

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So her canvas surfaces have this

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visceral, sculptural feel.

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Close up, you're taken in

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by how Sarah captures

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a sense of place and light

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in the way she moves the paint.

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And then when you step back,

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the painting bursts into dynamic focus

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and you see trees, sky, flowers,

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water, driftwood,

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and maybe a bird or two.

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Sarah is the real deal, and

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this is a beautiful show

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to experience in person.

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Written in Water runs

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now through September 30.

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Hours and location are at studioegallery.net.

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We've got a terrific lineup

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for you, including

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highlights from summer 2023.

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-On my back

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I'm getting a cactus octopus,

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so it's like a cactopus.

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[tattoo needle buzzes]

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-THING is a homey music festival.

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-And music from the Delvon Lamarr Organ Trio.

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♪♪

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We'll begin

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with Bill Traver, founder

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and owner of Traver Gallery,

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who has been championing artists,

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many from the Pacific Northwest,

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since 1977.

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♪♪

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I'm Bill Traver

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the founder of the Traver Gallery.

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I grew up in Seattle, went to 
Ingraham High School,

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where I had a high school art teacher

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who encouraged me,

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because I was dyslexic at the time,

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to follow my interest in the arts,

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which I always got good grades in.

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All my other grades were

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“Bill was a slow learner.”

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The Traver Gallery, I think,

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wants to be a place

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where artists can feel like

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they can come and be supported

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and we can support them in a honest,

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truthful, genuinely earnest way.

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♪♪

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Because I was a student at Cornish

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there was this patron of Cornish,

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Annie Gould Hauberg.

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Annie Gould Hauberg was married to John Hauberg,

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who owned a tree farm up north

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called the Pilchuck Tree Farm.

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She got together with Dale Chihuly,

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who was from

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this area originally, from Tacoma.

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He went to Annie Hauberg

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and John Hauberg

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and told them about this idea

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of starting this school.

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This hippie

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farm up on the Pilchuck Mountains.

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And the Haubergs went along with it.

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They said, okay,

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we'll let you have some property.

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And that's how the American Studio Glass 
movement got started.

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It seemed like this was something

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that was going to happen.

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This was something on the rise,

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you know,

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And we were the new kids on the block.

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We were the new gallery in town.

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There were a couple of

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other galleries, not many

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who chose not to show glass.

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They didn't want to show glass

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because there wasn't an art form.

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It wasn't considered art.

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It was a craft.

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♪♪

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My daughter Sarah grew up
in the gallery in Belltown.

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I have pictures of her

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as a baby crawling around the gallery.

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It's a great picture.

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-You know exactly how old it is

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by the can of Pepsi.

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-Yeah.

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-My dad loves telling the story

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of how my crib was actually a drawer

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in a dresser that they used

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as like a filing cabinet.

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And so really, from day one,

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this has been kind of

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the center of my universe in some ways.

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We had a gallery in Tacoma

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because they just built

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this new glass museum in Tacoma,

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and we wanted to have a location

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in Tacoma next to the glass museum.

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And so she came back

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and went to work there

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and eventually got more

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and more and more involved in it.

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And of course, she knew

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all of the artists

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and they loved Sarah.

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And then when we closed that gallery,

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she came here.

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And I was getting much older

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and needed to take a break

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or move away from the gallery

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a little bit, and she took it on.

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She chose to

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become the director of the gallery

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and has been doing it ever since.

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♪♪

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I have the privilege of working

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with some artists here

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that have been with the gallery

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since the very first shows

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that the gallery presented.

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I've literally known them

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my whole life.

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I want those relationships

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to be really deep.

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It's frankly what makes it successful. I think.

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You can't really represent art

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if you don't know the artist,

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if you don't know where

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they're coming from, what drives them,

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you know, who their pets are,

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who their kids are,

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where they like to travel.

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All these things are the stories that we tell

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that make these pieces come to life.

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(whirring]

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It's fabulous.

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I get to see my dad every day.

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I think once we both came to terms

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with working together,

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we've just been able to learn a

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huge amount from each other.

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As he

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gets older, he gets wiser

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and it's just wonderful to see

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how much love he gives to this place

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and to the artists that we work with

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and the collectors that we work with.

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And yeah, just try and

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let that inform me every day.

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♪♪

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Growing up in this gallery

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and being surrounded by art,

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my whole life has undeniably shaped

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how I approach the world.

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♪♪

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We're so fortunate here

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in the Pacific Northwest

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to have such a close knit

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art community,

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and I think that it's really part of

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what makes the Pacific Northwest

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a special, beautiful place.

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♪♪

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-I’d love to leave the gallery

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to Sarah in a way

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that she's able to take it on

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and into the next 50 years.

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♪♪

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Currently showing at Traver Gallery is Unearth,

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a spectacular exhibit

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from artist Cathy McClure,

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who uses discarded

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battery-operated stuffed toys

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and transforms them

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into small-scale sculptures

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that she calls bots and mutants.

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Unearth runs now through September 30.

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Hours and location

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are at TraverGallery.com.

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♪♪

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♪♪

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-Here we are at the Seattle Tattoo Expo

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at the Exhibition Hall, the Seattle Center.

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♪♪

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The mission in the Expo

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is to bring world class

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tattoo artists to Seattle

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to give people the opportunity

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to get tattooed by people

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from all over the world

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that may not have

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had an opportunity to.

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♪♪

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-On my back, I'm getting cactus-octopus.

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So it's like a cactopus.

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[tattoo needle buzzes]

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-Getting a tattoo of a ghost

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from Beetlejuice,

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one of my favorite movies.

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Just makes me happy

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every time I see it.

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[tattoo needle buzzes]

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-Today I'm working on a female samurai.

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Susie started this for me

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about a year ago.

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She lives in California,

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so when she came up here, I was on it.

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♪♪

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We have, obviously, live tattooing,

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we have bands,

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we have the Seattle Tattoo Burlesque Review.

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-Who got a tattoo today?

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[audience applauds]

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Allright. Was it your first one?

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-There's also contests every day.

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-Very cool, go show it off.

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[audience applauds]

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-I am doing a raven and some flowers.

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That is my design.

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I specialize

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in neo-traditional tattoos.

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[tattoo needle buzzes]

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-I have always loved art. And, you know,

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I think tattooing is a really good way.

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It's like therapy.

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And so I've always really loved it.

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♪♪

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-This is my 30th year tattooing.

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I won’t tattoo anything

254
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that's offensive or racist.

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-Right now is the most painful tattoo

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I've ever had.

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♪♪

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-I love for the people

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who come to the expo

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to experience a little bit of the love

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of the tattoo community

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that I've been a part of for 32 years.

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-I'll say it's weird, though,

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people like watching me get

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tattooed is kind of strange.

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♪♪

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-Seattle Tattoo Expo is

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one of the top expos,

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I would say, in the U.S.

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-I love this convention.

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-I think it's pretty [bleep] cool.

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♪♪

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[buzzing]

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The Seattle Tattoo Expo

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will be back in August 2024.

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Exact dates TBD.

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♪♪

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An Art Zone favorite,

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the Delvon Lamarr Organ Trio,

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is at Jazz Alley this month.

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And to celebrate, here they are.

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Delvon on Hammond B3 organ,

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Jimmy James on guitar, and David McGraw on drums 

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performing “Shortcake.”

285
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♪♪

286
00:15:21,128 --> 00:15:23,422
 The Delvon Lamarr Organ Trio plays

287
00:15:23,422 --> 00:15:25,215
six shows at Jazz Alley, 

288
00:15:25,215 --> 00:15:27,760
September 14th through the 17th.

289
00:15:27,760 --> 00:15:28,636
For this outing,

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Delvon will be joined

291
00:15:29,720 --> 00:15:31,764
by Josh Purdue on guitar

292
00:15:31,764 --> 00:15:34,058
and Ehssan Karimi on drums.

293
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Ticket information is at jazzalley.com.

294
00:15:39,063 --> 00:15:42,483
♪♪

295
00:15:43,567 --> 00:15:45,277
And that wraps us for this week.

296
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A big thanks to studio e gallery

297
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for hosting us.

298
00:15:48,447 --> 00:15:49,490
And a reminder

299
00:15:49,490 --> 00:15:51,367
that Written in Water, paintings

300
00:15:51,367 --> 00:15:52,993
by Sarah Nosworthy, is up

301
00:15:52,993 --> 00:15:55,287
through September 30th.

302
00:15:55,287 --> 00:15:56,246
So we're going to leave you

303
00:15:56,246 --> 00:15:58,040
with highlights from THING,

304
00:15:58,040 --> 00:15:59,833
a three-day music festival

305
00:15:59,833 --> 00:16:01,335
that rocked Fort Worden

306
00:16:01,335 --> 00:16:03,504
in Port Townsend in late August.

307
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There will be a THING 2024

308
00:16:05,255 --> 00:16:06,674
and we will let you know

309
00:16:06,674 --> 00:16:08,384
when those dates are set.

310
00:16:08,384 --> 00:16:10,636
So enjoy and we'll see you soon.

311
00:16:11,095 --> 00:16:22,773
♪♪

312
00:16:22,773 --> 00:16:27,903
[audience applauds]

313
00:16:28,779 --> 00:16:29,405
-What's up?

314
00:16:29,405 --> 00:16:30,739
[audience cheers] 

315
00:16:30,823 --> 00:16:31,865
What's happening?

316
00:16:31,865 --> 00:16:33,200
[audience claps]

317
00:16:33,200 --> 00:16:33,909
Where am I?

318
00:16:34,076 --> 00:16:35,661
[audience cheers and laughs]

319
00:16:36,036 --> 00:16:44,670
♪♪

320
00:16:44,670 --> 00:16:49,717
-THING is a homey music festival.

321
00:16:49,717 --> 00:16:50,551
It's a place

322
00:16:50,551 --> 00:16:51,468
where everyone can come

323
00:16:51,468 --> 00:16:52,886
with their families

324
00:16:52,886 --> 00:16:55,097
and be themselves and be comfy

325
00:16:55,097 --> 00:16:56,890
and still be like right up close

326
00:16:56,890 --> 00:16:59,351
to like really amazing music.

327
00:16:59,351 --> 00:17:02,312
♪♪

328
00:17:02,354 --> 00:17:04,481
-It’s a really beautiful day for this.

329
00:17:04,481 --> 00:17:05,315
-Yeah, beautiful day

330
00:17:05,315 --> 00:17:07,151
for this, really chill vibes.

331
00:17:07,151 --> 00:17:09,028
Everyone is doing everything

332
00:17:09,028 --> 00:17:10,988
from like enjoying right up

333
00:17:10,988 --> 00:17:14,033
close to the stage or taking a nap out

334
00:17:14,033 --> 00:17:14,867
(laughter)

335
00:17:14,908 --> 00:17:16,827
in the grass.

336
00:17:16,827 --> 00:17:17,745
It's nice that everyone

337
00:17:17,745 --> 00:17:19,329
sort of on their own vibe.

338
00:17:19,705 --> 00:17:21,331
♪♪

339
00:17:21,707 --> 00:17:23,250
We live very close

340
00:17:24,126 --> 00:17:25,753
and it's super exciting

341
00:17:25,753 --> 00:17:27,838
there's a festival in our neighborhood

342
00:17:27,838 --> 00:17:29,339
and we love it.

343
00:17:29,339 --> 00:17:30,716
There's so much to do.

344
00:17:30,924 --> 00:17:34,136
♪♪

345
00:17:34,636 --> 00:17:35,512
I'm a local.

346
00:17:35,512 --> 00:17:37,222
I came last year just for one day,

347
00:17:37,222 --> 00:17:38,640
but I have a three-day pass this year.

348
00:17:39,975 --> 00:17:43,187
THING is a sense of community.

349
00:17:43,479 --> 00:17:48,901
♪♪

350
00:17:49,735 --> 00:17:50,360
They started a

351
00:17:50,360 --> 00:17:52,780
festival in our back yard. (laughs)

352
00:17:54,281 --> 00:17:55,407
All right.

353
00:17:55,407 --> 00:17:56,575
[audience cheers and claps]

354
00:17:56,575 --> 00:17:57,701
All right!

355
00:17:57,951 --> 00:18:13,383
♪♪
